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		<id>http://enfascination.com/wiki/index.php?action=history&amp;feed=atom&amp;title=Codex_Project</id>
		<title>Codex Project - Revision history</title>
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		<updated>2026-05-15T18:55:11Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://enfascination.com/wiki/index.php?title=Codex_Project&amp;diff=1955&amp;oldid=prev</id>
		<title>Seth at 05:39, 12 February 2009</title>
		<link rel="alternate" type="text/html" href="http://enfascination.com/wiki/index.php?title=Codex_Project&amp;diff=1955&amp;oldid=prev"/>
				<updated>2009-02-12T05:39:39Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
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			&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 05:39, 12 February 2009&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 69:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 69:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://worldwideweb.unconventionallylonguniformresourcelocator.com&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://worldwideweb.unconventionallylonguniformresourcelocator.com&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Personal website)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Personal website)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Current State==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Image:Portfolio 4.jpg]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Seth</name></author>	</entry>

	<entry>
		<id>http://enfascination.com/wiki/index.php?title=Codex_Project&amp;diff=1769&amp;oldid=prev</id>
		<title>Seth at 19:46, 15 September 2008</title>
		<link rel="alternate" type="text/html" href="http://enfascination.com/wiki/index.php?title=Codex_Project&amp;diff=1769&amp;oldid=prev"/>
				<updated>2008-09-15T19:46:03Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;I aim to typeset Luigi Serafini's Codex Serafinianus with the help of&lt;br /&gt;
a tool that makes it cheap and easy for printers to cast their own&lt;br /&gt;
type.&lt;br /&gt;
&lt;br /&gt;
===The goals of this project:===&lt;br /&gt;
*Celebrate the physical process of typesetting&lt;br /&gt;
*Develop a typographer's relationship with the presently&lt;br /&gt;
incomprehensible Codex Serafinianus&lt;br /&gt;
*Introduce the self replicating three dimensional printer as a tool&lt;br /&gt;
for printers and book artists&lt;br /&gt;
&lt;br /&gt;
===The Deal/Spiel===&lt;br /&gt;
It is no unusual feeling to hear of a book and be overcome with the&lt;br /&gt;
need to read it.  And today's world continues to make it easier to&lt;br /&gt;
satisfy that need.  But there are some books that Amazon will never&lt;br /&gt;
sell, like the Necronomicon, the Encyclopedia Galactica, Julian&lt;br /&gt;
Carax's Shadow of the Wind and Pierre Menard's Don Quixote.  We were&lt;br /&gt;
introduced to these books because they were plot elements in works of&lt;br /&gt;
fiction.  We will never read these books, no matter our desire, and&lt;br /&gt;
nobody ever has or ever will ever read any of them.  These books are&lt;br /&gt;
lost and we must be content to read them vicariously through fictional&lt;br /&gt;
people.&lt;br /&gt;
&lt;br /&gt;
But what if there were an exception, a fictional book that exists but&lt;br /&gt;
is tangible only literally?  What would it mean to explore such a&lt;br /&gt;
book, and what satisfaction could come?  Luigi Serafini's Codex&lt;br /&gt;
Serafinianus, only a few years older than me, is such a book.  An&lt;br /&gt;
unnatural history written in an unknown alphabet, the Codex has vexed&lt;br /&gt;
hobbyist and professional cryptographers alike.  Only its page&lt;br /&gt;
numbering system has been cracked.  As long as it goes untranslated it&lt;br /&gt;
remains unreadable, and the Codex Serafinianus remains a fictional&lt;br /&gt;
work.&lt;br /&gt;
&lt;br /&gt;
I have felt the overwhelming desire to read too many fictional books.&lt;br /&gt;
If it is possible for me to know even one, I will not hesitate to do&lt;br /&gt;
so.  And as a printer, I know that there is no better way to develop a&lt;br /&gt;
relationship with a book than to typeset it.  The process of&lt;br /&gt;
typesetting is a meditation and an exploration. The meditative aspect&lt;br /&gt;
of typesetting is central to this project.  And though no foundry&lt;br /&gt;
casts the alphabet of the Codex, today's world has provided a tool&lt;br /&gt;
that will allow me to literally print my own type.  This tool is&lt;br /&gt;
called the &amp;quot;reprap&amp;quot;, a contraction of &amp;quot;self replicating rapid&lt;br /&gt;
prototyper&amp;quot;.  This machine can print %60 of its own parts, in addition&lt;br /&gt;
to any other three dimensional object smaller than its own nine inch&lt;br /&gt;
bed.  It works by depositing successive layers of plastic according to&lt;br /&gt;
the specifications of a computer model of the desired object.  Its&lt;br /&gt;
ability to print itself makes it incredibly cheap and accessible to&lt;br /&gt;
anyone.  Its ability to print any other 3-D object makes it useful&lt;br /&gt;
beyond what anyone can presently conceive.  With reprap and a&lt;br /&gt;
computer, I will be able to design faces for the language of the Codex&lt;br /&gt;
and print fonts of them.  With a complete case of home-cast type, I&lt;br /&gt;
will be able to set the Codex Serafinianus and do the impossible: I&lt;br /&gt;
will intimately know one fictional book.&lt;br /&gt;
&lt;br /&gt;
===About Me:===&lt;br /&gt;
I am a printer and book artist about to start doctoral work in&lt;br /&gt;
informatics and cognitive science at the University of Indiana, doing&lt;br /&gt;
analytic work on models of use in the study of mind.  I participate&lt;br /&gt;
passionately in all facets of the book arts, from writing through&lt;br /&gt;
printing to publishing.  My current preoccupation in this vast field&lt;br /&gt;
of inquiry is typography and typesetting.&lt;br /&gt;
&lt;br /&gt;
===Links:===&lt;br /&gt;
http://en.wikipedia.org/wiki/Codex_Seraphinianus&lt;br /&gt;
http://www.amazon.com/Codex-serafinianus/dp/8821600262  (notably&lt;br /&gt;
empty.  &amp;quot;Latin&amp;quot;?)&lt;br /&gt;
http://reprap.org&lt;br /&gt;
http://en.wikipedia.org/wiki/List_of_fictional_books&lt;br /&gt;
http://worldwideweb.unconventionallylonguniformresourcelocator.com&lt;br /&gt;
(Personal website)&lt;/div&gt;</summary>
		<author><name>Seth</name></author>	</entry>

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